Music, Art, and Metaphysics: Amazon.co.uk: Levinson.
It is by no means self-evident that problems of aesthetics should be an object of philosophy: many philosophers have held that issues relating to art and beauty cannot be the object of philosophical work. The rationalist thinkers simply denied aesthetics a place in their systems of thought, while positivist and neo-positivist thinkers argued that it could not be part of philosophical enquiry.
Heidegger’s critique of aesthetics and his advocacy of art thus form a complementary whole. Section 1 orients the reader by providing a brief overview of Heidegger’s philosophical stand against aesthetics, for art. Section 2 explains Heidegger’s philosophical critique of aesthetics, showing why he thinks aesthetics follows from modern.
The value for newcomers to Levinson's work -- or even newcomers to philosophy of music or to philosophy of art -- is that it is organized so that the initial chapters consist of clear, straightforward exposition of his views on the nature of music appreciation, the value of music, and the nature of musical works. Accessibility is facilitated by the fact that several of the essays were written.
Indian art has developed with a focus on spiritual and philosophical states of mind, either through symbolism or with the intent of instilling these states in the audience. Aesthetics as Philosophy.
Aesthetics is the philosophical study of art. In its orginal Greek derivation, the term denoted the study of sense experience generallyn and it was not until the the mid-18th century, following a usage introduced by Baumgarten, that a particular reference to the idea of beauty in nature and art was established. The current meanin developped even later in the 18th and early 19th articulation of.
Topics range from the philosophy of beauty and aesthetics all the way to critiques on modern art. Any creative will find value in this book. It should be a staple introduction to the philosophy of art covering music, visual art, writing, dance, and pretty much every other form of creative expression.
Full text. CHAPTER XXXIX. 1 ON THE METAPHYSICS OF MUSIC. THE outcome, or result, of my exposition of the peculiar significance of this wonderful art, which is given in the passage of the first volume referred to below, and which will here be present to the mind of the reader, was, that there is indeed no resemblance between its productions and the world as idea, i.e., the world of nature, but.